Joyce Wieland Movies

Home movies shot on Super 8mm by W+B Hein over 10 years.

Various unrelated vignettes, often juxtaposing sound and image.

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this...

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in...

In this "fourteen-part drill for the camera," Frampton created a portrait gallery of his art-world friends engaging in a variety of ordinary...

A young woman marries a wealthy man she isn't in love with, but finds romance instead with the couples' painter friend.

The film consists primarily of degraded footage of landscapes shot from vehicles moving across the country; meanwhile, 537 computer-generated...

Considered one of Canada's most important women artists of the second half of the 20th century, Joyce Wieland's art embodies the essence of her...

A serendipitous encounter with a younger artist gives legendary Canadian art icon Michael Snow the opportunity to reflect on his life and career.

Handtinting, a five-minute silent study of young girls dancing, swimming, and observing one another by Joyce Wieland, […] has a quality that...

You see nothing but a white, crystal white plate, and water dripping into the plate, and you hear the sound of the water dripping. The film is ten...

“This film is against the corporate military industrial structure of global village.”

The rising moon is the main theme in this short movie of three people and an animal going about their nocturnal rituals. This movie is evidently part...

Experimental short in which a camera pans quickly in a small apartment space; Disembodied voices speak of audience engagement.

We do not actually see Pierre Vallieres, we see only his lips, his teeth, as he talks in French. English subtitles translate what he says. He speaks...

About a strike in which women are involved, but told in a very different way.

"I decided to make a film at my kitchen table, there is nothing like knowing my table. The high art of the housewife. You take prisms, glass, lights...

"The film [Birds at Sunrise] was originally photographed in 1972. Birds from my window were filmed during the winter, through to the spring, with the...

A day at the Beach, at the Sea, at the Sky and at the Sailboats.

Joyce Wieland: “Hollis and I came back to Toronto on holiday in the summer of '67. We were staying at a friend's house. We worked our way...